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Female vocal groups began to produce songs that mixed Doo-wop harmonies with Rhythm and Blues music. Most notable were The Shirelles, The Marvelettes, and The Crystals who flourished during the early 1960?檚.
By 1962 ?楾he Brill Building??in Broadway, New York had housed over 165 music businesses and more significantly hosted Don Kirshner and his star collection of songwriters, (Carole King / Gerry Goffin, Neil Sedaka / Howard Greenfield, and Barry Mann / Cynthia Weil). Record Producer Phil Spector was churning out unique classics by artists like The Ronettes, The Righteous Brothers and finally Ike and Tina Turner with his legendary ?榃all of Sound??
In the 1950?檚 Britain an independent musical culture developed.
Liverpool produced the Merseybeat sound led by The Beatles, taking the British charts by storm in 1963, while in London the Rolling Stones heralded a boom in the British Rhythm and Blues that included the Animals from Newcastle, Spencer Davis from Birmingham and scores more.
Folk inspired artists, like The Byrds, and even America?檚 most influential contemporary performer Bob Dylan also turned to sound of the Beatles for new direction. The quintessential Californian group, The Beach Boys, helped fly the flag for Surf Music.
Black Soul Music (containing the beat of Rhythm and Blues combined with the exuberance of Gospel), may have been overshadowed in the media but it still made a indelible impression. Between them, they had all the early soul stars of note, including The Drifters, Aretha Franklin, Otis Redding, The Supremes, The Four Tops, Stevie Wonder and Marvin Gaye.
?楾he Godfather of Soul?? James Brown, through the rest of the '60s dispensed with melodies in favour of chunky rhythms, horn interplay and scratching guitar giving a whole new sound which would become essential ingredients of what is known as Funk. Weird lyrics and music that seemed to have few rules and less form: names like The Grateful Dead, Jefferson Airplane, and the The Doors became synonymous with meditation, levitation and drugs.
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